I believe in the power of the imagination to remake the world, to release the truth within us, to hold back the night, to transcend death, to charm motorways, to ingratiate ourselves with birds, to enlist the confidences of madmen.
I believe in my own obsessions, in the beauty of the car crash, in the peace of the submerged forest, in the excitements of the deserted holiday beach, in the elegance of automobile graveyards, in the mystery of multi-storey car parks, in the poetry of abandoned hotels.
I believe in the forgotten runways of Wake Island, pointing towards the Pacifics of our imaginations.
I believe in the mysterious beauty of Margaret Thatcher, in the arch of her nostrils and the sheen on her lower lip; in the melancholy of wounded Argentine conscripts; in the haunted smiles of filling station personnel; in my dream of Margaret Thatcher caressed by that young Argentine soldier in a forgotten motel watched by a tubercular filling station attendant.
I believe in the beauty of all women, in the treachery of their imaginations, so close to my heart; in the junction of their disenchanted bodies with the enchanted chromium rails of supermarket counters; in their warm tolerance of my perversions.
I believe in the death of tomorrow, in the exhaustion of time, in our search for a new time within the smiles of auto-route waitresses and the tired eyes of air-traffic controllers at out-of-season airports.
I believe in the genital organs of great men and women, in the body postures of Ronald Reagan, Margaret Thatcher and Princess Di, in the sweet odors emanating from their lips as they regard the cameras of the entire world.
I believe in madness, in the truth of the inexplicable, in the common sense of stones, in the lunacy of flowers, in the disease stored up for the human race by the Apollo astronauts.
I believe in nothing.
I believe in Max Ernst, Delvaux, Dali, Titian, Goya, Leonardo, Vermeer, Chirico, Magritte, Redon, Duerer, Tanguy, the Facteur Cheval, the Watts Towers, Boecklin, Francis Bacon, and all the invisible artists within the psychiatric institutions of the planet.
I believe in the impossibility of existence, in the humour of mountains, in the absurdity of electromagnetism, in the farce of geometry, in the cruelty of arithmetic, in the murderous intent of logic.
I believe in adolescent women, in their corruption by their own leg stances, in the purity of their disheveled bodies, in the traces of their pudenda left in the bathrooms of shabby motels.
I believe in flight, in the beauty of the wing, and in the beauty of everything that has ever flown, in the stone thrown by a small child that carries with it the wisdom of statesmen and midwives.
I believe in the gentleness of the surgeon’s knife, in the limitless geometry of the cinema screen, in the hidden universe within supermarkets, in the loneliness of the sun, in the garrulousness of planets, in the repetitiveness or ourselves, in the inexistence of the universe and the boredom of the atom.
I believe in the light cast by video-recorders in department store windows, in the messianic insights of the radiator grilles of showroom automobiles, in the elegance of the oil stains on the engine nacelles of 747s parked on airport tarmacs.
I believe in the non-existence of the past, in the death of the future, and the infinite possibilities of the present.
I believe in the derangement of the senses: in Rimbaud, William Burroughs, Huysmans, Genet, Celine, Swift, Defoe, Carroll, Coleridge, Kafka.
I believe in the designers of the Pyramids, the Empire State Building, the Berlin Fuehrerbunker, the Wake Island runways.
I believe in the body odors of Princess Di.
I believe in the next five minutes.
I believe in the history of my feet.
I believe in migraines, the boredom of afternoons, the fear of calendars, the treachery of clocks.
I believe in anxiety, psychosis and despair.
I believe in the perversions, in the infatuations with trees, princesses, prime ministers, derelict filling stations (more beautiful than the Taj Mahal), clouds and birds.
I believe in the death of the emotions and the triumph of the imagination.
I believe in Tokyo, Benidorm, La Grande Motte, Wake Island, Eniwetok, Dealey Plaza.
I believe in alcoholism, venereal disease, fever and exhaustion.
I believe in pain.
I believe in despair.
I believe in all children.
I believe in maps, diagrams, codes, chess-games, puzzles, airline timetables, airport indicator signs.
I believe all excuses.
I believe all reasons.
I believe all hallucinations.
I believe all anger.
I believe all mythologies, memories, lies, fantasies, evasions.
I believe in the mystery and melancholy of a hand, in the kindness of trees, in the wisdom of light.
—James Graham Ballard
There is no reason why good cannot triumph as often as evil. The triumph of anything is a matter of organization. If there are such things as angels, I hope that they are organized along the lines of the Mafia.
—Kurt Vonnegut, The Sirens of Titan
The knowledge that I didn’t have the courage to do what was necessary made me feel terrible. I began to feel physically sick. I was weak. I didn’t want it to happen yet I couldn’t think of any way to stop it.
—Charles Bukowski (via bianne-k)
Tom Wolfe and Kurt Vonnegut, along with other great authors hanging out together.
A lovely young girl lies on a bed in the dark listening to a fairy tale,” I said. “But she’s naked and the storyteller’s hands are all over her.
—Glen Duncan, The Last Werewolf (via blua)
(Source: hotelsongs)
William Shakespeare: The Taming of the Shrew
Reader Submission: Title by Julia Mahar.
Ezra Pound’s tests and composition exercises for young writers. Also see Pound’s list of don’ts for those beginning to write verse and his list of the 6 types of writers.
I have been and still am a seeker, but I have ceased to question stars and books; I have begun to listen to the teachings my blood whispers to me. My story is not a pleasant one; it is neither sweet nor harmonious, as invented stories are; it has the taste of nonsense and chaos, of madness and dreams—like the lives of all men who stop deceiving themselves.
—Herman Hesse, Demian (via wunderlast)
What is that you express in your eyes? It seems to me more than all the print I have read in my life.
—Walt Whitman (via vanished)
How many Frasier and ER reruns does it take to make one American life complete? How many Richard Simmons infomercials? How many whiteboy/fatboy Beltway insiders on CNN? Oh man, don’t get me started. Jerry-Springer-Dr.-Dre-Judge-Judy-Jerry-Falwell-Donny-and-Marie, I rest my case.
—Stephen King, On Writing
I have seen the moment of my greatness flicker,
And I have seen the eternal Footman hold my coat, and snicker,
And in short, I was afraid.
—Stanza XII, The Love Song of J. Alfred Prufrock
by T.S. Eliot (via fuckyeahexistentialism)
by T.S. Eliot (via fuckyeahexistentialism)
Pause every once in a while, remove your glasses, think about that last great sentence you read, sigh, sip your tea and then get back to it.
A poem by Papa Raban.
The best people possess a feeling for beauty, the courage to take risks, the discipline to tell the truth, the capacity for sacrifice. Ironically, their virtues make them vulnerable; they are often wounded, sometimes destroyed.
—Ernest Hemingway
(Source: billieisaguysname)
I can bear any pain as long as it has meaning.
—Haruki Murakami, 1Q84
(Source: larmoyante)
